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Translated editions have appeared in Spanish and Greek languages, with editions in preparation in German, French, Italian, and Polish. There is a course available by correspondence and on the internet that gives additional training for readers who wish to pursue the practice of performing "Labyrinth Readings" or "Bardo guiding" as a service to others--beyond one's own family and personal network. Read more Read less.

Just Wrought: An American Book of the Dead - The Game Show

Add both to Cart Add both to List. Buy the selected items together This item: American Book of the Dead by E. Ships from and sold by Amazon. The Tibetan Book of Living and Dying: Customers who bought this item also bought. Page 1 of 1 Start over Page 1 of 1. Practical Work on Self. The Nag Hammadi Scriptures: The Keys to the Master Code: Life in the Labyrinth Labyrinth Trilogy. From the Publisher With more than , copies of the small press edition sold, this thoroughly contemporary and uniquely American interpretation of the timeless Tibetan spiritual classic continues the successful and illuminating tradition of The Tibetan Book of Living and Dying.

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Share your thoughts with other customers. Write a customer review. Read reviews that mention book of the dead american book clear light tibetan book years ago spiritual practice highly recommend many times read this book designed to help life into death reading them aloud many years author gold day reading books of the dead dead and the american reading this book book as a guide important. There was a problem filtering reviews right now.

Please try again later. In my opinion, this is probably the most valuable book, certainly one of the most valuable, that you could possibly own and learn from and put into practice in your life, and this is true in many ways. It is based to a large degree on the approximately eight-hundred year old Tibetan Book of the Dead. And Tibet is one of those countries most known for its exploration of and familiarity with the processes related to death and dying.

On the one hand, the book is designed as a way to prepare oneself, or others, for the inevitable eventuality of death. On the other hand it is also designed, perhaps most importantly, for performing certain spiritual practices and, for lack of better words, special kinds of prayers designed to help guide and facilitate the voyage of someone after they have passed on to the other side of the veil of death and into the great unknown. Reading it makes it pretty clear, imo, that the author very much knows a lot about what he is sharing, and not just in an intellectual way but rather in an almost nitty-gritty experiential way.

In any event, even apart from the focus on death and dying and the transition to the great beyond, it serves very well as a kind of navigational manual through the various experiences and attitudes and traps and confusions and delusions involved in working our ways through everyday life in such a way so as to have a lot more insight and control and behavioral certainty than is ordinarily the case with most people. The Boy Scouts motto is Be Prepared. And this book serves as a wake-up call, and sort of guide-map of how to actually be prepared for the greatest and ultimately most genuinely unknown, and most likely most important journey and adventure of our lives, or, perhaps more accurately, of our afterlife.

It is a book that is extraordinarily useful and will inform you with all sorts of beneficial awareness, even with just one reading. At the same time it is a book that may easily be used as a life companion offering constant guidance and wisdom. I have read it probably forty times or so, and will most likely continue to do so for the rest of my life.


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It is not a 'new-age' or fluffy book by any stretch of the imagination but rather is dead serious, forgive the tongue-in-cheek reference. I cannot possibly recommend this book highly enough. It is a powerful touchstone both for living our lives here and now and for having a much better sense of what our deaths may be about, and how to face what we will no doubt one day have to face. We are mostly all well aware of the usefulness and necessity of preparing in advance for a trip we may be going on, or a date, or a job interview, etc. If I had to recommend only one book to someone for their ultimate well-being and successful navigation through life, it would be this book.

I had this book back in the late 70's, bought by chance at a New Age bookstore when I was first becoming interested in things relating to consciousness, but before I had actually made the leap to become a buddhist practitioner. At the time it was much more approachable than the Tibetan Book of the Dead Bardo Thodol on which this one is heavily based. Sometime in the 80's I let that copy slip away as it had a strangely unsettling effect on my psyche, an effect combined with the non-prescription psychotropic drugs I had been taking in the 70's, which it took several years of sobering Tibetan practices to settle.

Then a couple of years ago I decided to get this revised copy '93 edition which has interesting intro essays by Gold on "How to use this book" a practical and literal approach , as well as an "introduction to macrodimensions" and "the six dimensions" which are as esoteric as they sound , which I don't think were included in the 70's version, as well a fine little forward by John Lilly pretty sure my '70's copy had that one though since I was a big fan of his back then and so probably bought the book for that reason. These introductory essays help lay the ground for what follows as the visions unfold from the clear light for the next 49 days within a dead person's consciousness.

In fact looking at the text now it looks quite a bit changed from what I remember, and I would not be surprised it Gold indeed reworked it all incessantly his collection of acrylic paintings and sketches also grace these pages, and further reinforces the generally unsettling effect of the words , but what really matters here is not the details as much as the gaps they point out and invite us to explore, precisely the unsettling aspect Let them speak to us poetically.

With this in mind such teachings can awaken us to the dream we're currently living.

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There are many other books which can invoke such spaciousness I highly recommend the Tibetan dzogchen writings of Longchenpa or the Cosmic Trigger books of Robert Anton Wilson , but this one gives a uniquely modern and American perspective. Kindle Edition Verified Purchase. I began reading this book in the s, and have read it for people who were dying many times. The most recent was my Mom, who just died at Even though she was unresponsive, I read the book out loud, and could tell when her spirit was hearing me.

This is the most important book every person needs to handle death and the hereafter. You will also see it referred to in a funny way in the movie "Beetlejuice. This is an excellent resource for anyone in the caregiving, hospice, or medical field. It is a modern American interpretation of the ancient Books of the Dead, divided into readings for the stages of dying and the transit period of the Bardo chambers. I have found this book to be a useful tool in dealing with everyday, first-world problems as well.

It is beautifully illustrated by the author, E. I would not be without this book; I have several copies and refer to it often. For this reason burials included a number of statuettes named shabti , or later ushebti. These statuettes were inscribed with a spell, also included in the Book of the Dead , requiring them to undertake any manual labour that might be the owner's duty in the afterlife.

The path to the afterlife as laid out in the Book of the Dead was a difficult one. The deceased was required to pass a series of gates, caverns and mounds guarded by supernatural creatures. Their names—for instance, "He who lives on snakes" or "He who dances in blood"—are equally grotesque. These creatures had to be pacified by reciting the appropriate spells included in the Book of the Dead ; once pacified they posed no further threat, and could even extend their protection to the dead person. If all the obstacles of the Duat could be negotiated, the deceased would be judged in the "Weighing of the Heart" ritual, depicted in Spell The deceased was led by the god Anubis into the presence of Osiris.

There, the dead person swore that he had not committed any sin from a list of 42 sins , [44] reciting a text known as the "Negative Confession". Then the dead person's heart was weighed on a pair of scales, against the goddess Maat , who embodied truth and justice. Maat was often represented by an ostrich feather, the hieroglyphic sign for her name. If the scales balanced, this meant the deceased had led a good life. Anubis would take them to Osiris and they would find their place in the afterlife, becoming maa-kheru , meaning "vindicated" or "true of voice".

This scene is remarkable not only for its vividness but as one of the few parts of the Book of the Dead with any explicit moral content. The judgment of the dead and the Negative Confession were a representation of the conventional moral code which governed Egyptian society.

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For every "I have not John Taylor points out the wording of Spells 30B and suggests a pragmatic approach to morality; by preventing the heart from contradicting him with any inconvenient truths, it seems that the deceased could enter the afterlife even if their life had not been entirely pure. A Book of the Dead papyrus was produced to order by scribes. They were commissioned by people in preparation for their own funeral, or by the relatives of someone recently deceased. They were expensive items; one source gives the price of a Book of the Dead scroll as one deben of silver, [51] perhaps half the annual pay of a labourer.

In one case, a Book of the Dead was written on second-hand papyrus. Most owners of the Book of the Dead were evidently part of the social elite; they were initially reserved for the royal family, but later papyri are found in the tombs of scribes, priests and officials. Most owners were men, and generally the vignettes included the owner's wife as well. Towards the beginning of the history of the Book of the Dead , there are roughly 10 copies belonging to men for every one for a woman. The dimensions of a Book of the Dead could vary widely; the longest is 40m long while some are as short as 1m.

The scribes working on Book of the Dead papyri took more care over their work than those working on more mundane texts; care was taken to frame the text within margins, and to avoid writing on the joints between sheets. The words peret em heru , or 'coming forth by day' sometimes appear on the reverse of the outer margin, perhaps acting as a label. Books were often prefabricated in funerary workshops, with spaces being left for the name of the deceased to be written in later.

The text of a New Kingdom Book of the Dead was typically written in cursive hieroglyphs , most often from left to right, but also sometimes from right to left.


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The hieroglyphs were in columns, which were separated by black lines — a similar arrangement to that used when hieroglyphs were carved on tomb walls or monuments. Illustrations were put in frames above, below, or between the columns of text. The largest illustrations took up a full page of papyrus. From the 21st Dynasty onward, more copies of the Book of the Dead are found in hieratic script. The calligraphy is similar to that of other hieratic manuscripts of the New Kingdom; the text is written in horizontal lines across wide columns often the column size corresponds to the size of the papyrus sheets of which a scroll is made up.

Occasionally a hieratic Book of the Dead contains captions in hieroglyphic. The text of a Book of the Dead was written in both black and red ink, regardless of whether it was in hieroglyphic or hieratic script. Most of the text was in black, with red ink used for the titles of spells, opening and closing sections of spells, the instructions to perform spells correctly in rituals, and also for the names of dangerous creatures such as the demon Apep. The style and nature of the vignettes used to illustrate a Book of the Dead varies widely. Some contain lavish colour illustrations, even making use of gold leaf.

Others contain only line drawings, or one simple illustration at the opening. Book of the Dead papyri were often the work of several different scribes and artists whose work was literally pasted together.

The existence of the Book of the Dead was known as early as the Middle Ages, well before its contents could be understood. Since it was found in tombs, it was evidently a document of a religious nature, and this led to the widespread misapprehension that the Book of the Dead was the equivalent of a Bible or Qur'an. In Karl Richard Lepsius published a translation of a manuscript dated to the Ptolemaic era and coined the name " Book of The Dead" das Todtenbuch. He also introduced the spell numbering system which is still in use, identifying different spells. The work of E.

Wallis Budge , Birch's successor at the British Museum, is still in wide circulation — including both his hieroglyphic editions and his English translations of the Papyrus of Ani , though the latter are now considered inaccurate and out-of-date. Allen and Raymond O. Orientverlag has released another series of related monographs, Totenbuchtexte , focused on analysis, synoptic comparison, and textual criticism. Research work on the Book of the Dead has always posed technical difficulties thanks to the need to copy very long hieroglyphic texts.

Initially, these were copied out by hand, with the assistance either of tracing paper or a camera lucida. In the midth century, hieroglyphic fonts became available and made lithographic reproduction of manuscripts more feasible. In the present day, hieroglyphics can be rendered in desktop publishing software and this, combined with digital print technology, means that the costs of publishing a Book of the Dead may be considerably reduced.

However, a very large amount of the source material in museums around the world remains unpublished. From Wikipedia, the free encyclopedia. For other uses, see Book of the Dead disambiguation. List of Book of the Dead spells. The ancient Egyptian books of the afterlife. How to Read the Egyptian Book of the Dead. Dedi Djadjaemankh Rededjet Ubaoner. Book Ancient Egypt portal. Outline Index Major topics Glossary of artifacts. Retrieved from " https: Views Read Edit View history. In other projects Wikimedia Commons Wikiquote.

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