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East Dane Designer Men's Fashion. Shopbop Designer Fashion Brands. Withoutabox Submit to Film Festivals. And as George Shaffner amazingly reveals, there are discerning answers and a great measure of comfort in numbers. In The Arithmetic of Life, he applies the basic principles of mathematics--addition, subtraction, multiplication, and division--to some of the most profound and just plain puzzling questions of our time. Illuminated with anecdotes, humor, and insight, each chapter explains a unique part of life that can be understood only through the magic of numbers.
Whether it's an unconventional theory on why more things go wrong than right, a simple calculation of how much it will cost you to smoke for a lifetime, why crime accumulatively doesn't pay, or a glimpse into the probability of life after death, this enlightening and lucidly reasoned book will forever change the way you think about numbers--and the world around you. Other avenues into otherworldly experience, such as channeling, the I Ching, meditation, and Wicca are also extensively discussed.
Japanese Numbers Game Paperback T. A wide variety of numerical formulae and strategies provide the means for explaining events and solving problems occurring in everyday life.
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These include such matters as the choice of the name for a child, ranking in almost any game or sport, the diagnosis and cure of illness or the decision to accept a new job. This text provides a general study of the field of Japanese popular numeracy. It introduces the reader to a world of numbers in which fortune-telling, the abacus and games involving numbers, as well as curious numerical names of both people and places , illustrate the importance of systems of counting, calculation and forecasting. The study explores the cultural roots of attitudes towards numbers and makes suggestions about the contemporary implications of a culture in which mechanical numeracy and number obsession is general but the highest levels of academic mathematics still fall short of world standards.
Working out your personal numbers is easy and fun to do. The number derived from your name relates to your personality and the motivation that drives it, while the day of your birth gives signals about how the personality develops its potential in this life. Together these numbers can present you with a better understanding of yourself, explain your actions and help to change behavioural patterns for a more positive, healthier and happier way of living.
This fascinating guide shows us how numbers affect us on a personal level as well as how they colour and shape the world we live in. This major new reference work is organised as a Chinese-English encyclopedia, arranged alphabetically according to the pinyin romanisation, with Chinese characters appended. A character index as well as an English index is included.
The entries are of two kinds: Each entry in the former category has a brief explanation that includes references to the origins of the term, cross-references, and a reference to an entry giving a more comprehensive treatment of the subject. An almost obsessional use of numbers characterizes Japanese popular culture. A wide variety of numerical formulas and strategies provide the means for explaining events and solving problems occurring in everyday life. These include such matters as the choice of the name for a child, ranking in almost any game or sport, the diagnosis and cure of illness, or the decision to accept a new job.
It introduces, in fascinating detail, a world of numbers in which fortune-telling, the abacus, games involving numbers as well as curious numerical names of both people and places illustrate a popular obsession with systems of counting, calculation, and forecasting. No understanding of Japanese popular culture is complete without some knowledge of the use of numbers by the Japanese.
Thomas Crump's meticulous exploration of the cultural roots of these attitudes makes this book essential for students of anthropology and Japanese studies. Gaia Matrix Oracle numerology is predicated on the awareness that your name and birth date are vibrational information coded by numbers and linked with archetypal meanings.
The Invisible Cloth Spain. The Miller with the Golden Thumb England. The King's New Turban Turkey. The King and the Clever Girl India. Links to related tales. Ashliman's index of folklore and mythology electronic texts. Many years ago there lived an emperor who loved beautiful new clothes so much that he spent all his money on being finely dressed.
His only interest was in going to the theater or in riding about in his carriage where he could show off his new clothes. He had a different costume for every hour of the day. Indeed, where it was said of other kings that they were at court, it could only be said of him that he was in his dressing room! One day two swindlers came to the emperor's city.
They said that they were weavers, claiming that they knew how to make the finest cloth imaginable. Not only were the colors and the patterns extraordinarily beautiful, but in addition, this material had the amazing property that it was to be invisible to anyone who was incompetent or stupid. They set up their looms and pretended to go to work, although there was nothing at all on the looms. They asked for the finest silk and the purest gold, all of which they hid away, continuing to work on the empty looms, often late into the night. Of course, he himself had nothing to fear, but still he decided to send someone else to see how the work was progressing.
He's the best one to see how the material is coming. He is very sensible, and no one is more worthy of his position than he. So the good old minister went into the hall where the two swindlers sat working at their empty looms.
The two swindlers invited him to step closer, asking him if it wasn't a beautiful design and if the colors weren't magnificent. They pointed to the empty loom, and the poor old minister opened his eyes wider and wider. He still could see nothing, for nothing was there. I have never thought so. Am I unfit for my position? No one must know this. No, it will never do for me to say that I was unable to see the material.
Yes, I'll tell the emperor that I am very satisfied with it! The old minister listened closely so that he would be able say the same things when he reported back to the emperor, and that is exactly what he did.
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The swindlers now asked for more money, more silk, and more gold, all of which they hid away. Then they continued to weave away as before on the empty looms. The emperor sent other officials as well to observe the weavers' progress. They too were startled when they saw nothing, and they too reported back to him how wonderful the material was, advising him to have it made into clothes that he could wear in a grand procession.
The entire city was alive in praise of the cloth. The emperor awarded the swindlers with medals of honor, bestowing on each of them the title Lord Weaver. The swindlers stayed up the entire night before the procession was to take place, burning more than sixteen candles. Everyone could see that they were in a great rush to finish the emperor's new clothes.
They pretended to take the material from the looms. They cut in the air with large scissors. They sewed with needles but without any thread. Finally they announced, "Behold! The clothes are finished! The emperor came to them with his most distinguished cavaliers. The two swindlers raised their arms as though they were holding something and said, "Just look at these trousers!
Here is the jacket!
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This is the cloak! You might think that you didn't have a thing on, but that is the good thing about them. The emperor took off all his clothes, and the swindlers pretended to dress him, piece by piece, with the new ones that were to be fitted. They took hold of his waist and pretended to tie something about him. It was the train. Then the emperor turned and looked into the mirror. What a wonderful fit! The chamberlains who were to carry the train held their hands just above the floor as if they were picking up the train. As they walked they pretended to hold the train high, for they could not let anyone notice that they could see nothing.
The emperor walked beneath the beautiful canopy in the procession, and all the people in the street and in their windows said, "Goodness, the emperor's new clothes are incomparable! What a beautiful train on his jacket. What a perfect fit! None of the emperor's clothes had ever before received such praise. The emperor shuddered, for he knew that they were right, but he thought, "The procession must go on! Brockhaus, , no.
Return to the table of contents. The Invisible Cloth Spain Three impostors came to a king, and told him they were cloth-weavers, and could fabricate a cloth of so peculiar a nature that a legitimate son of his father could see the cloth; but if he were illegitimate, though believed to be legitimate, he could not see it.
Now the king was much pleased at this, thinking that by this means he would be able to distinguish the men in his kingdom who were legitimate sons of their supposed fathers from those who were not, and so be enabled to increase his treasures, for among the Moors only legitimate children inherit their father's property; and for this end he ordered a palace to be appropriated to the manufacture of this cloth.
And these men, in order to convince him that they had no intention of deceiving him, agreed to be shut up in this palace until the cloth was manufactured, which satisfied the king. When they were supplied with a large quantity of gold, silver, silk, and many other things, they entered the palace, and, putting their looms in order, gave it to be understood that they were working all day at the cloth. After some days, one of them came to the king and told him the cloth was commenced, that it was the most curious thing in the world, describing the design and construction; he then prayed the king to favor them with a visit, but begged he would come alone.
The king was much pleased, but wishing to have the opinion of some one first, sent the lord chamberlain to see it, in order to know if they were deceiving him. When the lord chamberlain saw the workmen, and heard all they had to say, he dared not admit he could not see the cloth, and when he returned to the king he stated that he had seen it; the king sent yet another, who gave the same report.
When they whom he had sent declared that they had seen the cloth he determined to go himself. On entering the palace and seeing the men at work, who began to describe the texture and relate the origin of the invention as also the design and color, in which they all appeared to agree, although in reality they were not working; when the king saw how they appeared to work, and heard the character of the cloth so minutely described, and yet could not see it, although those he had sent had seen it, he began to feel very uneasy, fearing he might not be the son of the king, who was supposed to be his father, and that if he acknowledged he could not see the cloth he might lose his kingdom; under this impression he commenced praising the fabric, describing its peculiarities after the manner of the workmen.
On the return to his palace he related to his people how good and marvelous was the cloth, yet at the same time suspected something wrong. At the end of two or three days the king requested his Alguacil or officer of justice to go and see the cloth. When the Alguacil entered and saw the workmen, who, as before, described the figures and pattern of the cloth, knowing that the king had been to see it, and yet could not see it himself, he thought he certainly could not be the legitimate son of his father, and therefore could not see it.
He, however, feared if he was to declare that he could not see it he would lose his honorable position; to avoid this mischance he commenced praising the cloth even more vehemently than the others. When the Alguacil returned to the king and told him that he had seen the cloth, and that it was the most extraordinary production in the world, the king was much disconcerted; for he thought that if the Alguacil had seen the cloth, which he was unable to see, there could no longer be a doubt that he was not the legitimate son of the king, as was generally supposed, he therefore did not hesitate to praise the excellency of the cloth and the skill of the workmen who were able to make it.